somna m bulist l xarpe artist editions |
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chronological list of Somna M Bulist's composed works and first performances Oribital Dictum 2024 work in progress solo harp and ambient loop presented on Twitch live stream Appalachian Sky - 2022 solo harp Devotions dedicated to Mooji Devotion One - In this dream - 2020 Devotion Two - Song of Freedom The Observance of Meng Xiang (Dream City) 2014 installation presented on July 13, 2014 by First Festival at the 2nd Annual International Conference on Deep Listening in the lower lobby of the Experimental Media And Performing Arts Center, Troy NY. Beneath the surface gravity loosens and weightlessness prevails 2014 for Ghost Ensemble first performance April 4, 2014, East Bank Music Series, Church of the Ascension, Greenpoint, Brooklyn, New York. Wave Dynamics For A Crowd Source 2014 installation Prompt card artwork by Mary Spicher Fisher First presented as a poster presentation on July 12-14, 2013 ("Wave Dynamics For The Harp", original proposal) at the Deep Listening Art/Science International Conference, EMPAC, Troy, New York Earth Tone Communion 2011 harp, loop and guitar pedal effects, first performance Twitch live stream 2021 I Lay My Heart Open to the Benign Indifference of the Universe 2010 bowed harp first performance on Sunday, December 2nd, 2012, NEW PITCHES :: curated by Michael Hafftka at Vaudeville Park in Brooklyn, New York. Quietus 2010 harp alone - three movements I Acorns Are Banging Gongs "Remembering to Remember" 2009 Transcriptions of events from the dream time. Title quote from Deep Listening, A Composer's Sound Practice. by Pauline Oliveros, 2005. Perfume Offering 2011 AIMA AMA 2006-2010 ongoing harp alone Karmasulama 2010-ongoing harp alone Sonic Salutations 2009 for harp alone or several harps not necessarily in unison Videos of Sonic Salutaions 2012-2019 youtube The Cut-Ups 2008 - form related to intent on reality bending initiated by Brion Gysin and William Burroughs #1 Campbell's Soup - harp & voice I Thank the Sea for the Gifts She Gives Me 2008 open instrumentation - a mantra of gratitude transcribed to musical notation first performance: June 12, 2010 - Presented by Neke Carson in association with Michael Wiener Live in the Living Room at the Gershwin Hotel, New York City One is my foremost island of Oahu.. 2007 harp and spoken word - text from an ancient Hawaiian prayer of gratitude
Invocation to Nonesuch of Nothingness 2006 harp and spoken word
Esoteric Chord 2005 harp alone or several harps in unison and live electronics sound documents . 2005 recording sessions in nine events on various harps usually documented within the hour. FolkArt Songs and Spirituals 2005 for harp and voice rooted in American literary folklore, ancient Egyptian mythology and personal pathos. Galadriel Fragrance of the Blue Lotus 2004 harp and electronic processing creating a sonic shadow, preceded by vocal invocations to aspects of hiddenness, infinity, darkness and the primordial waters of NUN. duration: 20-40 mins.
Pedal Forms 2002 Brillo accordion and harp
Breath 2001 electronic installation of vocal recordings generated by the scrub wheel on a digital recording unit where the original vocal duration of 2 minutes is expanded to 84 minutes (approximately) _ setting up a perceptual relocation of awareness. What do our voices sound like to the infinitesimal?
Valentine Stigmata 2001 inspired by the tonal chants compiled by Thom Parrott in The Musical Qabalah; an experimental opera that evolves through rituals of the Hermetic Order of the Golden Dawn involving operatic and processed vocals, bowed and processed harp duration:40 minutes The (Qabalistic) Cross 44 minutes on the flatline_A Cry for the Millenium 1999 an instrumental opera transposing documented accounts of the banshee's keen through processed harp duration: 44 minutes Akasha (1998 SMB) The Faerye Invocations 1998 harp alone. duration: 30+ minutes Invocations to: Suite of Modes 1995 harp alone. duration: 20 minutes Mixolydian in G (sorrow) © 2022 all rights reserved |